Elaine Teng

Elaine Teng is a writer, and assistant to the editor at The New Republic

Recent Articles

Faces of the Democratic Future

Cannes Looks a Lot Like Hollywood: The Power Belongs to Men

AP Photo/Lionel Cironneau
AP Photo/Lionel Cironneau From left, actor Forest Whitaker, director Jerome Salle and actor Orlando Bloom arrive for the awards ceremony of the 66th international film festival, in Cannes, southern France, Sunday, May 26, 2013. When the Cannes International Film Festival opens on May 14, only two of the nineteen directors up for the prestigious Palme d’Or, the festival's highest honor, will be women. But before one starts assailing Cannes for sexism, consider this: The percentage of female directors in contention for the festival’s top prize is nearly twice as high as that of women directors working in Hollywood. Last year, only 6 percent of the directors working on the 250 highest-grossing American films were women, a number that has remained in the single digits since data was first collected in the late 1990s. Only four women have ever been nominated for a Best Director Oscar, and only one, Kathryn Bigelow in 2009, has won. Directing is not the only behind-the-camera role dominated...